Posts Tagged ‘Music Licensing’

Lisnmusic Artist Profile: Joel Garnier

Tuesday, December 13th, 2011

We caught up with Lisn artist Joel Garnier – responsible for some fine ambient and atmospheric pieces on the Lisnmusic site. Originally from Strasbourg in France, Joel now lives in Menasha, Wisconsin.

Listen to Joel Garnier’s catalogue available through Lisnmusic

What is your musical background?
I began by playing a banjo that was left behind at our house between age 10 and 15. I also had a nylon string acoustic that was decent. Later I stumbled upon the McNally Strum Stick. He also designed the Martin travel guitar which is similar. It’s funny that I began to take playing music seriously with a toy. After borrowing a very fine classical guitar at college I finally purchased a Guild Jumbo. With that I adapted my older finger picking techniques and learned by myself taking step by step. I simply played to learn and enjoy.

Then I moved back to the home town and discovered early techno. Old friends taught me to use Fasttracker and Soundforge to take a diversion from just playing guitar. Finally I bought a recording computer and set off on that journey. I combined the improvisational guitar work with the electro in a DAW. I helped other artists record. I worked at a youth center teaching recording techniques. Now I like to make ambient music for myself and produce whole records with friends.

Joel Garnier – Lisn Music Sampler by LisnMusic

How would you describe the style(s) of music you make?  Do you focus on any specific instruments or equipment in your work?
I like to learn from experiments on my own and apply what I know when I record others. I have a certain range between noise and beauty. I usually begin with a guitar improvisation or a Reason track. In the end I have done my best to innovate and sound good.

What successes have you had in the music/synchronisation industry so far?
Aside from one DC Comics internet promotion Lisn is my first licensing contract.

Have you been involved in any exciting projects?  Do you have anything new (music or projects) in the pipeline?
All I have in the pipeline are locals and friends trying to make time for the studio. I have other income so I can afford to help people.

What are you goals for the future?
I simply hope that I sell via Lisn. I have changed course to do so. I have many ideas like any artist. I do what I can.

Anything else you would like us to know?
I am also a painter. I have worked an art foundry (dirty, nasty but awesome), worked at glassblowing (awesome!), and a few other skills and arts.

To license music from Joel Garnier’s catalogue for TV, film, advertisements, games, corporate or other media projecst please visit the Joel Garnier page on Lisnmusic. If you are interested in Joel Garnier creating a bespoke composition please contact us.

Lisn to November: New Music Added this Month

Monday, November 28th, 2011

Just squeezing in before the month is out, here’s a selection of the new music added to Lisn in November, including tracks from Rohit Bhusan, Thomsonaudio, JSL, Preybird and Ethereal Motion.

Lisn to November by LisnMusic

To talk to us about licensing music from any of the Lisnmusic songwriters and composers please contact us.

Lisnmusic Publisher Profile: Ethereal Motion

Monday, November 28th, 2011

Ethereal Motion is the personal music project of Scott Ross, an accomplished recording engineer/producer/composer based in Seattle. The sounds and songs of Ethereal Motion blend melodic grooves, real drums, live drum loops, tasteful keyboard layers and real horn sections. Here’s what Scott had to say when we caught up with him for a chat…

Ethereal has a diverse catalogue of music – how would you describe the style(s) of music you release?
I record and produce in a large variety of styles, including rock/hard rock, jazz, new age, pop, dance etc. Most of my songs are instrumental, as I am predominantly a horn player (sax and trumpet).

What is your musical background?
I’ve been playing the saxophone (alto and tenor) for many years now, along with the clarinet. I picked up the trumpet about 10 years ago, as I wanted to be my own horn section!!

How would you describe the style(s) of music you make? Do you focus on any specific instruments or equipment in your work?
Being a horn player, a lot of my music tends to have big horn sections and be more pop/jazz oriented. I own a commercial recording studio in Seattle, WA, so I use the studio as a home base for all my personal recording.

Ethereal Motion – Lisn Music Sampler by LisnMusic

Do you have plans to bring other artists into your publishing company?
When I can’t play the various instruments the way I want, I’ll bring in other people (drummer, bassist, guitarist etc.) to enhance my songs and add a little variety.

What are your biggest achievements in the synchronisation industry so far?
As a recording studio owner, engineer and producer (see Elliott Bay Recording Company), I have recorded over 500 songs for Muzak, and 150 for Pioneer America, which have been played all over the world in restaurants, airports, on hold music etc. My own music has played on various reality shows, indie productions, radio spots etc.

When creating music what is your inspiration? Do you make music with specific ideas and projects in mind?
When I start a new song, I generally don’t have a specific idea in mind! I’ll start with an idea, go somewhere with it, and it generally changes many times before it’s finished. I might start out trying to do a hard rock song, and in the end it will have a complete horn section and be more of a pop jazz song!

Do you have any specific goals for the future?
I will continue to produce music for the rest of my life. It’s my life’s work and my hobby. I enjoy producing and engineering for other artists and I certainly like working on my own music too. I continue to try to get my music out into the world!

Anything else you would like us to know?
I’ve been producing and engineering for over 25 years now. I’ve recorded over 400 records for various artists around the world. 8 records have been certified gold so far. I’ve worked with a wide variety of artists throughout the years and will continue to do what I do for as long as possible.

To license music from the Ethereal Motion catalogue for TV, film, advertisement, game, corporate or other media projects please visit the Ethereal Motion page on Lisnmusic. If you are interested in Scott Ross from Ethereal Motion creating a bespoke composition please contact us.

If you’re an artist, record label or music publisher interested in licensing your music for media projects please get in touch to see how Lisnmusic can help you.

Lisnmusic Label Profile: Downstream Records

Wednesday, November 23rd, 2011

Downstream Records say of themselves, “We’re a label dedicated to bringing you ‘electronica’ in all its forms. From downtempo to minimal techno the aim is to deliver the best music we can, with both consistency and regularity.” With a steadily increasing catalogue of music available through Lisnmusic we thought it was about time we caught up with their top man Damon Vallero for a chat.

Listen to the Downstream Records catalogue available through Lisnmusic

When was the label created, what was the reason for setting up your label, who is behind it and what is your musical background?
The label was started in 2004 and was a means for me (Damon Vallero) to release different styles of music to that which I had previously been producing. I had/have been running the Electracom label since 1996 which was predominantly hard techno and it was difficult to vary too much from that style when releasing.

My background is that I grew up in South Africa where I started out on a musical path dabbling in synth based music in the 1980s. I formed a duo with a friend and we got signed to Warner Bros for two singles which didn’t really achieve any widespread success. In the late eighties I joined with another friend and formed The Swanhunters who released an anti Apartheid single in collaboration with the Sheffield band Chakk, of whom Mark Brydon of Moloko was a member.

Moving to the UK in 1988 and after a break of three years or so I began producing dance music, predominantly techno and started the Electracom label in 1996. I produced a number of releases for the label as well as releasing other artists and in 2001 began DJing and playing live around Europe. In 2004 I started Downstream Records to allow me to produce other styles of electronic music under different guises.

Downstream Records – Lisn Music Sampler by LisnMusic

How would you describe the style(s) of music you release?
I have released a number of different styles of music on the label. Downtempo/lounge music under the Admon name resulted in the 2005 album “4AM Life”. Following that I released “Let The Trend Be Your Friend” as Megatrend which had elements of broken beat, techno, dubcore, glitch, ambient and most points in between. The next album I released was as Displayaz called “Control The Event” and incorporated elements of Dubstep and Drum & Bass. In between these albums I have released singles mainly in the tech/deep house genre. All the releases have been my own projects and I have not worked with any other artists on Downstream to date.

Your output covers a number of different styles within electronic music when many other labels tend to stay close to one sound they can be identified with. What was it that made you take this broader approach?
With the proliferation of music genres and the advance of technology, I found that producing one style of music was becoming quite restictive. In the electronic field it is much easier to be able to produce under different names and so I wanted to experiment and explore areas I had never tried before. Latterly more and more labels are diversifying their music style which can only be a good thing for artists and listeners alike.

What successes have you had in the music industry so far, and in particular any in synchronisation?
My tracks have been played out by the likes of Ritchie Hawtin, Dave Clarke and many others and my music has also been aired on Radio 1 a number of times by John Peel years ago to more recently Mary Anne Hobbs. I won the 2002 Diesel U Music competition in the house category playing at Fabric in London and was interviwed on MTV. Three of my downtempo tracks were used by a US company to launch a new product.

What are you goals for the future?
The goals for the future are to keep releasing a diverse range of music that is both enjoyable and challenging and try and reach as wider audience as possible.

To license music from the Downstream Records catalogue for TV, film, advertisement, game, corporate or other media project please visit the Downstream Records page on Lisnmusic. If you are interested in Damon Vallero from Downstream creating a bespoke composition please contact us.

If you’re an artist interested in licensing your music for media projects please get in touch to see how Lisnmusic can help you.

Lisnmusic Label Profile: Kultur-Time Productions

Saturday, July 16th, 2011

Kultur-Time Productions has been running for 5 years creating music which focuses on Latin soundscapes, European club music and unique 70s classic wah-funk sounds, all underpinned by cool, live grooves. For another instalment of our Profiles series we caught up with Kultur Time Productions’ main main Andy.

Listen to and directly license the Kultur-Time Productions catalogue on Lisnmusic

What is your musical background?
For me music has always been a very important aspect to my life. My first tastes of the industry came in 1990 from working as a live sound engineer for a company called Time Bomb artists, an event management company specializing in onstage artist performance and sound management. For 5 years I worked in various venues across the United Kingdom and Mainland Europe mastering the art of live audio engineering and onstage production. I moved over into the studio recording side of things when a position came up at Eternity Records studio in Witham Essex in 1996. This was a small production outfit specializing in the current dance sector with a group of song writers, producers and engineers recording demos for dance acts signed to Timebomb Artists. I later had ideas and dreams of my own so I started my own label Kultur Time – a music production company based in Colchester in Essex which I have been growing over the past 5 years.

Andy KTP Photo 500 Lisnmusic Label Profile: Kultur Time Productions

How would you describe the style(s) of music you make? Do you focus on any specific instruments or equipment in your work?
It’s a hard thing to say where our musical tastes lay as they change with ever evolving new projects that I work on and also with other new artists constantly put new ideas and new musical concepts into our minds. Dance of all genres is of interest to us, we have a particular keen interested in Latin soundscapes merged with European club music and 70’s wah funk. We love to focus on customer ideas and really listen to their musical needs and arise to the challenge of filling a once blank canvas. We can make great music from an idea set to us and excel in turning the idea into a living breathing masterpiece that fits with the original idea. We can tailor make all genres of musical types using the latest in cutting edge music technology software and hardware, techniques from old and new and our intuition.

Kultur-Time Productions – Lisnmusic Sampler by LisnMusic

What successes have you had in the music/synchronisation industry so far?
We have just finished scoring a 30 minute nature documentary and are in the final stages of post production with the film makers. It’s been a very interesting project to work on and we have also been involved in the film editing process.

Have you been involved in any exciting projects?
Recently I have been working on some sessions for a company based in Slovenia (Urban Karma Productions) who record and master samples for publication to sample CDs/DVDs. We have also just landed a contract with a web travel company to supply 100% of the music scores and voice overs for their latest online travel videos.

What are your goals for the future?
Working mainly within the film/television/radio media industry excelling in our strengths of current up to date music and soundscapes for the latest ear catching music on screen and on the airwaves, Increasing our stockpile of pre-recorded material for web music sales. We plan next year to tour some dates in the UK and in Europe with a new live act we are developing currently.

Anything else you would like us to know?
We also work closely with a network of musicians from around the globe for real ethnic blends with original ethnic instruments and artists from countries of the instruments’ origin.

To license music from the Kultur-Time Productions catalogue for TV, film, advertisement, game, corporate or other media project please visit the Kultur-Time page on Lisnmusic. If you are interested in Andy from Kultur-Time creating a bespoke composition please contact us.

If you’re an artist interested in licensing your music for media projects please get in touch to see how Lisnmusic can help you.