Posts Tagged ‘Electronica’

Lisnmusic Label Profile: Downstream Records

Wednesday, November 23rd, 2011

Downstream Records say of themselves, “We’re a label dedicated to bringing you ‘electronica’ in all its forms. From downtempo to minimal techno the aim is to deliver the best music we can, with both consistency and regularity.” With a steadily increasing catalogue of music available through Lisnmusic we thought it was about time we caught up with their top man Damon Vallero for a chat.

Listen to the Downstream Records catalogue available through Lisnmusic

When was the label created, what was the reason for setting up your label, who is behind it and what is your musical background?
The label was started in 2004 and was a means for me (Damon Vallero) to release different styles of music to that which I had previously been producing. I had/have been running the Electracom label since 1996 which was predominantly hard techno and it was difficult to vary too much from that style when releasing.

My background is that I grew up in South Africa where I started out on a musical path dabbling in synth based music in the 1980s. I formed a duo with a friend and we got signed to Warner Bros for two singles which didn’t really achieve any widespread success. In the late eighties I joined with another friend and formed The Swanhunters who released an anti Apartheid single in collaboration with the Sheffield band Chakk, of whom Mark Brydon of Moloko was a member.

Moving to the UK in 1988 and after a break of three years or so I began producing dance music, predominantly techno and started the Electracom label in 1996. I produced a number of releases for the label as well as releasing other artists and in 2001 began DJing and playing live around Europe. In 2004 I started Downstream Records to allow me to produce other styles of electronic music under different guises.

Downstream Records – Lisn Music Sampler by LisnMusic

How would you describe the style(s) of music you release?
I have released a number of different styles of music on the label. Downtempo/lounge music under the Admon name resulted in the 2005 album “4AM Life”. Following that I released “Let The Trend Be Your Friend” as Megatrend which had elements of broken beat, techno, dubcore, glitch, ambient and most points in between. The next album I released was as Displayaz called “Control The Event” and incorporated elements of Dubstep and Drum & Bass. In between these albums I have released singles mainly in the tech/deep house genre. All the releases have been my own projects and I have not worked with any other artists on Downstream to date.

Your output covers a number of different styles within electronic music when many other labels tend to stay close to one sound they can be identified with. What was it that made you take this broader approach?
With the proliferation of music genres and the advance of technology, I found that producing one style of music was becoming quite restictive. In the electronic field it is much easier to be able to produce under different names and so I wanted to experiment and explore areas I had never tried before. Latterly more and more labels are diversifying their music style which can only be a good thing for artists and listeners alike.

What successes have you had in the music industry so far, and in particular any in synchronisation?
My tracks have been played out by the likes of Ritchie Hawtin, Dave Clarke and many others and my music has also been aired on Radio 1 a number of times by John Peel years ago to more recently Mary Anne Hobbs. I won the 2002 Diesel U Music competition in the house category playing at Fabric in London and was interviwed on MTV. Three of my downtempo tracks were used by a US company to launch a new product.

What are you goals for the future?
The goals for the future are to keep releasing a diverse range of music that is both enjoyable and challenging and try and reach as wider audience as possible.

To license music from the Downstream Records catalogue for TV, film, advertisement, game, corporate or other media project please visit the Downstream Records page on Lisnmusic. If you are interested in Damon Vallero from Downstream creating a bespoke composition please contact us.

If you’re an artist interested in licensing your music for media projects please get in touch to see how Lisnmusic can help you.

Lisnmusic Release Various Artists Compilation ‘Lisn & Sync Vol 1′

Friday, November 18th, 2011

Lisn & Sync Vol.1 is the first in a new series of compilations that brings together a unique blend of music from independent worldwide artists who specialise in creating music for film and television. The project is compiled by Lisn Music – a UK based publishing and licensing company who focus on connecting their catalogue of music to media opportunities. The album represents an opportunity for a wider home-listening audience to directly access and enjoy the music and aims to shine a spotlight on the creative talent at Lisn.

The compilation contains 14 tracks from Lisn Music’s ever growing catalogue of independent artists. The selection on the album covers a wide array of genres ranging from the laid-back vibes of emerging homegrown talents ‘The Broken Orchestra’ and ‘Emma Shaheen’ to the unique blend of ethnic electronica from Mumbai-based producer ‘Rohit Bhusan’, to Floridian hip-hop courtesy of Beef Wellington and the epic instrumental dance music of Ecstasio.

Artists involved have featured on adverts and promotional films for global brands such as DC Shoes, Mercedes Benz, Suzuki, MTV and Microsoft.

Lisn & Sync Vol 1 is available from iTunes, Amazon and other online retailers.

Lisn & Sync Vol 1 – Various Artists by LisnMusic

Lisnmusic Publisher Profile: Aedan Sherry Publishing

Tuesday, June 28th, 2011

Nestled at the edge of the Mourne Mountains in Northern Ireland, Aedan Sherry doesn’t have to look far for inspiration. Through his music, he shares with us this inspiration. With his enrapturing, moving, evolving melodies and creative beats and rhythms, you can get lost in Aedans playful compositions. With over 14 years experience in writing music, his tracks convey happiness, optimism and more! Aedan works in several styles and genres, including Electronica, Dance, Chill Out, Alternative, and Electro.

View and listen to Aedan Sherry’s catalogue on the Lisnmusic website.

What is your musical background?
Apart from being sent to accordion lessons when I was younger, I would say I’m mostly a self taught musician. I think my love for music probably began unconsciously throughout all those years of growing up at home to the background score of my Dad’s record collection. I would be playing with colourful toy bricks and building little wooden train tracks to the score of Vivaldi or the Beatles or even Kraftwerk. So I’m sure I’ve been influenced right from the beginning to have an ear for music. Also there was the Playstation era where I did nothing but play games for hours on end providing me with a soundtrack of mixed musical genres and styles from right across the globe. I could be playing Final Fantasy for an hour or two with its wonderfully melodic Japanese instrumentals, then later I could switch to Tony Hawks Skateboarding and be listening to the Ramones’ Blitzkrieg Bop. So I definitely wasn’t left short for inspiration.

Things really started to evolve for me when I received a music sequencing game for the Playstation (Music/Music 2000). At last I could sit and create a whole song from scratch using my own melodies, beats and rhythms. I got lost in a world of composition which continues right to this present day. The love never dies.

Aeden Sherry – Lisnmusic Sampler by LisnMusic

How would you describe the style(s) of music you make? Do you focus on any specific instruments or equipment in your work?
My style varies a lot. I could be working on an orchestral piece for a week or 2 and when I’m done I could move straight into a trance or electronic tune for my next project. It all depends on how I’m feeling when I start writing. If I had to categorise my style or styles I would say I mostly work in electronica and in its many forms (electronica, ambient, dance, trance, break-beat, IDM), then in orchestral and then in world music. A lot of the time when submitting music for synchronisation I am asked what bands or existing acts my musical style sounds similar to. I find that the most difficult question to answer as I feel my music usually doesn’t sound very similar to any of them!

Most of the time I won’t have a specific idea of what I want to create. Just a very strong urge to start creating. Sometimes I’ll start with a beat, sometimes a melody, and then build from there.

At the moment my computer is my studio. I always use the same software which consists of three or four electronic synths, one software drum machine and one sampler. I have all the sounds in there that I could ever possibly need. Real instruments, flowing strings, woodwinds, brass etc. right down to hard and heavy electronic leads, fat basses and thousands of individual drum hits which I use to compile my beats and rhythms.

What successes have you had in the music/synchronisation industry so far?
I’ve been writing music for about 14 – 15 years now but only decided about a year and a half ago to go full steam ahead into writing music for synchronisation . It took a little while before things got started for me. You need patience in this business! A wait of about six months ensued before I’d made my first sale. After that it became more of a weekly or fortnightly occurrence. I am now at the point where I’ve made nearly forty sales in total since I started. My biggest success in the industry so far has actually come from right here at Lisn Music where I’ve had a song synced into an American TV series, VP Challenge . So thanks for that Lisn! I’ve also had music placed in a couple of live theatre performances for the Open Learning Initiative and for the Colorado Children’s Hospital and just recently I’ve been asked to provide music for an up and coming free running online video project which I’m quite excited about. Also there were a few television sync opportunities I had to turn down due to conflicting contracts between libraries which was unfortunate, but it was still a boost to hear that my music had been successfully selected for use in sync for television here in the UK.

Have you been involved in any exciting projects?
I had a single released on iTunes about 3 years ago with a small label in the US. It was a one off project but it was still a cool experience. The label heard my track on Myspace and got in touch with me asking if they could put some lyrics down on it. I said yes and then 2-3 months later the track was released on iTunes. Even the local paper called round to my house, did an interview and had me on the front page of their music section. It was great!

What are your goals for the future?
My main goal for the future is to be able to continue writing and hopefully reach the point where I can write on a full time basis and support my family from my musical income. At the moment I’m only writing on a part-time basis which is enough to get some good music together but with a little more time I think I could produce something that little bit extra special. One personal goal of mine is to be the guy who writes the theme music for the coverage of the next world cup on the BBC or on ITV. Its in Brazil, and there’s plenty of musical culture to source inspiration from there! You never know, it might happen! But even just to be able to tell people that I write music for a living would be a nice feeling.

To license music from the Aedan Sherry Publishing catalogue for TV, film, advertisement, game, corporate or other media project please visit the Aedan Sherry page on Lisnmusic. If you are interested in Aedan Sherry creating a bespoke composition please drop us a line.

If you’re an artist interested in licensing your music for media projects please get in touch to see how Lisnmusic can help you.

Lisnmusic Artist Profile: Thin White Dude

Thursday, June 16th, 2011

The mysterious Thin White Dude says “I just like making ‘weird’ music, and I’ve been doing it on and off for 10 years.” We’ve been really impressed with the tracks he has made available to license on Lisnmusic so far and asked him to answer a few questions to find out a bit more about the music and man behind it.

What is your musical background?
Since childhood I have had a love of music. At school I played the trumpet (badly) and piano (even worse). I first started creating my own music about 10 years ago when I get a demo of the Sony ACID software. Since then I have continued to make and re-mix music, although with some long breaks in between. There has been steady ‘improvement’ with the quality and constancy in my work, culminating on the tracks on offer by Lisnmusic, all of which were created over a fairly manic 3 week period between April and May of 2011.

How would you describe the style of music you make? Do you focus on any specific instruments or equipment in your work?
I would describe my musical style as ‘quirky’. Some may say ‘zany’, but I don’t like that word. Over the years my range has been quite eclectic (from full on dance to boarder-line thrash metal). I have recently been very eager to include a fair amount of acoustic guitars as it is giving my music a much warmer sound, as well as providing a lot more ‘width’. I tend not to use vocals in my own music, except for the occasional sound-bite.

Thin White Dude – Lisnmusic Sampler by LisnMusic

What successes have you had in the music industry so far?
My greatest achievement to date is one of my Sony contest re-mixes winning a prize of ‘The Listeners Award’ – it’s always good to get that peer judgement. The mix was also used on a commercially released EP by Intergalactic Faerie Funk, although I actually only discovered this recently after Googling my artist name (true story).

Have you been involved in any exciting projects?
I’m a one-man-band and I haven’t had much chance for collaboration work so far. I am currently in discussions with band in London (Echo the Sound) with a view to doing some production work for them (they have no drummer, so they need help in finishing off tracks). It could turn out to be exciting as their guitar work is great.

What are you goals for the future?
My main goal is to keep improving musically. On top of that I do want to get involved with visual media as I think my musical style has a lot to offer this particular sector of the music industry. Oh, and I want to carry on having fun making my music – if it ever becomes a chore, it’s time to stop!

Anything else you would like us to know?
I’m also available for children’s parties and corporate booze-ups…

To license music by Thin White Dude directly for your TV, film, advertisement, game, corporate or other media project please visit the Thin White Dude page on Lisnmusic. If you are interested in Thin White Dude creating a bespoke composition please drop us a line.

If you’re an artist interested in licensing your music for media projects please get in touch to see how Lisnmusic can help you.

Lisnmusic Label Profile: 9 Volt Records

Wednesday, June 1st, 2011

UK label 9 Volt Records formed in 2009 and is home to Auto-Pilot. With a sound largely based in electronic music, but without being strictly pure to the genre, Auto-Pilot and 9 Volt covers everything from laid-back loungey grooves to punchy and atmospheric electronica. Prior to establishing 9 Volt, Auto-Pilot signed to Holophon in 2007, releasing 2 albums (Ocearina & Out Here). Three more releases followed over the next few years through various European labels and they signed a publishing deal with Warner-Chappell Music. Adrian Collier talked to Lisn about the label, successes and their future plans.

9Volt Records – Lisnmusic Sampler by LisnMusic

What is the musical philosophy of the label?
The 9 Volt philosophy is to release genuinely great music with real originality based around the electronic genre but somewhat deviating away into the crossover territory of live musicians and instruments.

Who is behind the label and what is their musical background?
The label was formed in 2009 by (myself) Adrian Collier and Shaun Herbert who together go back to the mid 90’s playing in the same band (Fokker Pilots). Back then I played bass and Shaun was the keyboards. Later the band dissolved and reformed into Auto-Pilot which went on to sign to a succession of labels including Holophon and Major Records in Europe.

Tell us a bit about your main artist(s)…
9 Volt was formed as an artist label for Auto-Pilot so for a while it remained that way, and the download sales reflect the hard work put in.
In 2010, Trance producer Cygnus X-1 aka Martin Craig came onboard and in a relatively short period established himself within the Trance community gaining real momentum.

CygnusX1 TheNextLogicalStep 500x250 Lisnmusic Label Profile: 9 Volt Records

What successes have you had in the synchronisation industry so far?
Relatively new to the synchronisation industry but since looking this way the most notable things we’ve done a global warming campaign for Greenpeace and work for Sky Sports 1.

Have you been involved in any exciting projects?
So far, in the 2 years the label has been running it has all been one big exciting project. Music synchronisation is the current project we are looking at and yes, were excited about the prospects.

What are you goals for the future?
We tread careful so goals are only baby steps ahead, I guess the word is tentative. Looking further ahead the prospect of running our own publishing is a real possibility.

Anything else you would like us to know?
We like the fact that we produce our own music videos and I guess in the short time we have looked in to synchronisation it has changed our outlook towards music. It’s opened doors to new ideas in song writing enabling us to think more out of the box.

If you’re interested in licensing music from 9 Volt Records for your project in a fast and efficient manner, with both the master and publishing copyright cleared for immediate use then visit the 9 Volt Records page on Lisnmusic.

Lisnmusic Label Profile: Audiobulb Records

Thursday, May 19th, 2011

For the latest in our series of Lisnmusic label profiles we caught up with David Newman aka autistici, who is founder and curator of the Sheffield-based label Audiobulb.

What is the musical philosophy of the label?
Audiobulb releases more than purely music, it is an exploratory music label designed to promote creativity in all its forms. Our aim is to facilitate the development of new artists working within a realm of care, quality and craft. Works supported by Audiobulb often explore the interface between the electronic and natural world. We embrace the complexity of unique electronics, intricate acoustics and detailed microsound. I am constantly looking for artists who have found a way to express themselves and who have been innovative in the manner in which they have approached their work. I like to work with people who are on a journey.

Audiobulb – Lisnmusic Sampler by LisnMusic

Who is behind the label?
My position is one of founder and curator for the label, I search for new talent I then release and promote it. I see myself as having an equal responsibility to the label, its artists and the people who listen to our music or buy our products. I am a primarily a fan and always a supporter. I also release music of my own under the name ‘autistici’ .

autistici – 9v tree battery from Audiobulb on Vimeo.

Tell us a bit about your main artists…
We have a range of fantastic artists from diverse backgrounds worldwide. Monty Adkins is a lecturer in sound design and theory at Huddersfield University; Ultre is an extremely talented young man also from Yorkshire who makes award winning music. Calika is from the south of UK and he makes quirky, off-kilter alternative grooves. A Dancing Beggar crafts emotionally charged ambient post rock which rides the same vibe as Sigur Ros and Papercutz provides beautiful melodic soundscapes from Portugal featuring female vocals. We have many artists and I am lucky to work with so many talented people. Visit the ‘releases’ page at www.audiobulb.com to find out more.

monty adkins – remnant from Audiobulb on Vimeo.

What successes have you had in the music and synchronisation industry so far?
We have had some great syncs in the past. The highest profile being with Mercedes Benz supporting a new range in their line. In other areas we have been synced to indie films and extreme climbing videos!

What are you goals for the future?
The future is only ever a day away! I’m always working to link up with artists and creative’s to produce the next release whether it be music, video or music software. Audiobulb’s goals continue to encompass a desire to operate as a home to artists who are working on their unique explorative journey.

The Hole Punch Generation – They’re On To Me from Audiobulb on Vimeo.


Anything else you would like us to know?

Check out our latest releases: AB035: Monty Adkins – Fragile.Flicker.Fragment (AB035) and A Dancing Beggar – Follow The Dark As If It Were Light (AB036).

If you have a project and would like to license music from Audiobulb please visit the Audiobulb label page on the Lisnmusic website or contact us directly.

If you are a record label and are interested in working with Lisn to represent your catalogue please get in touch here.

To keep up to date with Audiobulb visit their website or via social media platforms at Facebook, Twitter, SoundCloud and YouTube.

Lisnmusic Label Profile: Oh So Coy Recordings

Monday, April 4th, 2011

Founded in South Africa, Oh So Coy Recordings further add to the diversity and worldwide coverage of the Lisnmusic catalogue. Headed up by Matt Prehn, himself a successful solo artist and collaborator, the Oh So Coy Catalogue is made up of the deeper and soulful side of electronica, together with world music, lounge & downtempo material.

If that sounds like it might be the type of thing your project may be looking for please get in touch with us at Lisn, or check out the Oh So Coy catalogue on our website. For more in depth info continue reading our interview with Oh So Coy’s Matt Prehn…

What is the musical philosophy of the label?
Our philosophy at Oh So Coy is to release honest, sincere electronic music. Predominantly on a deeper or soul tinged tip and often with a warm vocal. There has and will continue to be some forays into more loungey and abstract types of music…especially for promotion in media and perfect for syncing purposes.

Who is behind the label and what is their musical background?
Matt Prehn, aka Leigh Deep, aka 1 third of live act Bang Bang, aka 1 half of Southbound. Matt started the label early 2010 as a means to release his own productions that were an overflow from these other projects. Matt has been DJing for the past 13 years and has been rather successful at it, holding down numerous residencies and gigs in South Africa and now looking to cement a name abroad following a recent move to Switzerland. Matt has a 2 year diploma in sound engineering and a 1 year advanced diploma in music production and arrangement.

Tell us a bit about your main artists…
Bang Bang is a live electronic 3 piece band that creates “Indie” deep house as coined by one of the more reputable online blogs. Their unique soulful sound has found fervour on some of the most respected underground house labels such as Lost My Dog, Kolour, Baker Street, Myna, Blockhead, the list goes on. Perfect for quirky and current media campaigns…their sound is accessible, unique and inspired.

Label head Matt Prehn writes under numerous guises and his sound ranges from slow, deep spaced-out house to soul drenched vocal tracks. Attention to detail and tight production has become the norm and he has been released on a number of labels too including Baker Street, Head Tunes, Onethirty and Open Bar.

Lu Chase is a seriously seductive vocalist who has been working on a number of projects for Oh So Coy. She comes from a burlesque and dancing background and has a seriously diva’esque voice. Warm lyrics make for some top soul vibes.

Some upcoming artists in 2011 are Christopher Wilde – a very talented Cape Town artist who is capable of many sounds, Lotus aka Matthew Loots (another third of Bang Bang) who will be bringing the live instrumentation back with some slow burning nu disco sounds and respected underground artists like DK Watts, Da Sunlounge & B. Original are all working on some fresh remixes.

What successes have you had in the music/synchronisation industry so far?
Success is hard to judge and it depends if you are looking at a bank balance or at your peers. Oh So Coy has seen some chart action holding down a #3 spot for top soul sales on Stompy.com for a number of weeks and a few other tracks have been consistently in the top 30 for deep sales. Some chart action from underground househeads on various boutique download stores. A number of tracks have been popping up on podcasts so on that front I think the label is slowly gaining notoriety.

Sync wise it is still early days for the label and the focus has only recently been aimed toward the media industry so we will have to wait and see…but I am confident that once the music is heard by the “right ears” we will be popping up on a number of campaigns.

Have you been involved in any exciting projects?
Yes quite a few actually…a couple years back we did some library music for Synchro Music in South Africa. A full international African sound on 1 CD and a more urbansound on another. This was a lot of fun as we had guitars, bass, percussion everywhere for a couple weeks…in the long run it did fetch some syncs which was great.

Recently Matt was commissioned to write a full album of world music with a more current feel. This was for a Swiss company and turned out really well. A complete change of direction from the typical electronic stuff. The tracks can be heard on Lisn under the Oh So Coy catalogue.

There have also been some pitches for ads which bought about a fresh way of conceptualizing and working and it is always great to have a bit of pressure!

Oh So Coy Recordings by LisnMusic

What are your goals for the future?
The goals for the future are constantly changing and morphing. We would very much like to get the label into peoples minds…you know get people talking about the music, playing the music, getting it out there. From that obviously the more compilations we can get on the better – lots of exposure. Film and ad syncs are definitely up there too…especially more customised writing for specific applications and campaigns. Ultimately it would be very nice to start pressing vinyl again so that’s definitely something we would like to start doing in the next year or so. And of course to keep providing quality music!

Anything else you would like us to know?
News of late…we have just tied up distribution with Oseao so looking forward to working with them and really getting the music out there! In terms of content we will be loading a bunch of new music to the Lisn site very soon and throughout the year we will be creating exclusive sync content…so keep your ears open!

Find out more about Oh So Coy Recordings on MySpace, YouTube,SoundCloud and check out their catalogue available for licensing on Lisnmusic.

If you’re a record label and would like to work with Lisnmusic to help generate a new revenue stream for your music please get in touch and we’ll be happy to talk to you.